While we spend a lot of time on this site talking about cinematography and the all-encompassing art of filmmaking itself, we admittedly don’t spend nearly enough time on audio and sound design as it ...

Film sound roundtable featuring 3 Oscar winners from ‘F1,’ ‘A House of Dynamite’ Award-winning sound design discussion with sound editor Al Nelson, re-recording mixer Gary Rizzo, and sound editor Paul ...

Boom mics, those big puffballs at the end of a long pole, were once the most common method to record movie dialogue. Now small, wireless microphones are ubiquitous on film sets, and that's the domain ...