Buxton International Festival, long known for its explorations of some of the less well-known parts of the opera repertoire, ...
Everything I Ever Saw continues The Menzingers’ tradition of heartfelt storytelling through their signature Americana punk ...
Trump Arrangement Syndrome”, my propensity to see the world refracted through the lens of the omnipresent ogre’s cult, raised ...
A febrile energy powers Timothy Sheader’s production of Jesus Christ Superstar, which arrives in the West End with an edgy ...
Ever since he crashed into the world with that eerie masterpiece, Maxinquaye (1995) – an album that has never aged – ...
Mould are a post-punk sounding trio from Bristol. The press release says that their debut album is “13 tracks that explore ...
Pyschedelic music has always encouraged intergenerational influence. Thus West Midlander Pete “Sonic Boom” Kember, in his ...
A recent OFCOM study found that over 90% of young people tune into video-sharing platform and streamers and only spend a ...
A voice at the start of dancer Aakash Odedra’s performance speaks out of the darkness about the Sufi myth behind what we are ...
Bengali pianist Zoe Rahman, because it evokes themes – voyage, migration and family – which resonate strongly with her. The ...
The Duchess of Malfi, Almeida Theatre review - a radically original perspective on Webster's tragedy
Rebecca Frecknall attacks the text boldly, judiciously cutting it and placing the action on a set (designed by Chloe Lamford) which consists mainly of a wide glass box. On each side, a glass case ...
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