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Corbet’s complex Brutalist rewards the patient Brady Corbet's The Brutalist is an anomaly in the current cinematic landscape. An emotional epic, it traces the

“The Brutalist” is a moving work of art that captures the deep pain of dispossession and the long-lasting mental scars of the Holocaust on the Western world in increasingly subtle ways until a final denouement provides a coda sure to haunt the audience for a long time to come.

It takes more than just length for a film to become an epic but at 215 minutes, plus a fifteen-minute interval, The Brutalist meets that first requirement. It also needs to be about something greater than just the domestic travails of its characters and it ticks that box, too.

The Brutalist' director Brady Corbet is keen for viewers to have strong opinions on the movie, regardless of whether they're positive or negative.

The Brutalist, the Oscar contender starring Adrien Brody and Felicity Jones, has received backlash for its use of AI, and director Brady Corbet has responded.

Adrien Brody returns to Oscar-winning form as architect László Toth, a Holocaust survivor who arrives in America to start a new life.

Aged 36, the auteur has already made three of the most remarkable films of the 21st century – including the one tipped to win this year’s best-picture Oscar

"Adrien and Felicity’s performances are completely their own," says Corbet, after details emerged on how AI technology was used in the editing of the actors' scenes spoken in Hungarian.

The Childhood of a Leader was Corbet's first feature film as a filmmaker. He recently directed the historical epic The Brutalist, which won Best Director at the 82nd Golden Globe Awards, and the Silver Lion at the 81st Venice International Film Festival. He also directed the musical drama Vox Lux.

Warning: light spoilers.

The Brutalist' director Brady Corbet is defending the controversial use of AI to alter Adrien Brody and Felicity Jones’ Hungarian accents in his acclaimed film