The leading national service organization for Theatre for Young Audiences will host its next conference on May 27-29, 2026, with a wide array of performances and panels. NEW YORK CITY: Theatre for ...
The advocacy group for women and TGNC playwrights presents a new iteration of their online resource uplifting makers and champions of new plays. NATIONWIDE: The Kilroys have launched The Web 2025, an ...
It’s no secret that arts workers are facing unique difficulties right now. In April, the Writers Guild of America reported that over 1,300 TV writing jobs were lost in the 2023-24 season, with 37 ...
The next TCG conference aims to bring together a global community of theatremakers at an intersection of Latin American and the continental United States. Moving to a biennial schedule in 2024, TCG’s ...
A former copywriter for the D.C. organization reflects on the tenuous position of arts workers under the Trump administration. The John F. Kennedy Center for the Performing Arts has always been a part ...
This list was culled from 1,446 productions at 293 TCG member theatres, plus 156 productions at non-member and commercial theatres. As always, we did not tally productions authored by Shakespeare, of ...
Our annual Top 10/Top 20 lists offer invaluable snapshots of the American theatre’s evolving tastes, but programming choices aren’t made in a vacuum, of course. Which shows get lots of productions has ...
This play reveals wise and witty stories stitched together by the memories clothes can trigger. Written by superstar authors Nora and Delia Ephron of You’ve Got Mail and Sleepless in Seattle, the play ...
This piece was originally written for and posted on BroadwayWorld. It is republished here with permission. Theatremakers have a “show must go on” spirit. So it’s no surprise that the vast majority of ...
What the tangled history of Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas can teach us about the stages of tomorrow. It was not Wright’s work alone. The Kalita was also shaped by the ...
Attendance and funding may be down at many U.S. theatres, but the variety of creative responses to crisis and precarity is ever increasing. It’s no secret that the nation’s resident theatres didn’t ...
Theatres are taking a hard look at a well-worn patron model, and coming to different conclusions about its usefulness. When Amy Kaissar wrote her graduate thesis on the topic of nonprofit theatre ...
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